In this article I set out the genre of “flood fictions”, novels that use floods to depict climate crisis. I explore a few twenty-first-century British novels (Megan Hunter’s The End We Start From, Clare Morrall’s When the Floods Came, and Sarah Hall’s The Carhullan Army) in which floods are literal and figurative consequences of climate crisis.
A second characteristic of flood fiction is that they portray the literal submersion of the narratives themselves by means of language erosion and narrative fragmentation. Importantly, flood fictions tackle some of the imaginative and representative challenges posed by the Anthropocene. My reading of these novels provides an intervention in current debates on imagining and narrating climate crisis and presents a previously unexplored and underexplored subset of literary works.
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