Seeing the Human in Nature in New British Nature Writing

In my previous post, I wrote about form as an important part of new nature writing. I discussed how authors use experimental form to redefine nature – what I think is a defining feature of the genre. At the end of the post, I started to look at Olivia Laing’s To the River and CharlesContinue reading “Seeing the Human in Nature in New British Nature Writing”

Finding a Shape to Write About Nature

New nature writing is surprisingly hotly debated. In the New Statesman recently, Mark Cocker and Robert Macfarlane debated the genre, and especially Cocker’s claim that it was too “tame”. This kind of debate is interesting to me, because it says a lot about how people whom we call new nature writers define the genre. I’llContinue reading “Finding a Shape to Write About Nature”